Production Software – Digital Audio Workstations

October 17, 2017

Production Software – Digital Audio Workstations

So you’ve got the gear…but do you have the software to lay it all down with? You can’t paint without a canvas. Perhaps you’re looking to switch to a more popular, supported digital audio workstation? Some say it’s all about the musician and that the recording software doesn’t matter…we agree, but to a certain extent. Give somebody like DJ Premier or Danger Mouse a vintage Boss drum machine and they can probably still make a hit. However, in our opinion you need the proper software to give you the full capabilities of the song you’ve worked so hard on building inside of your head — something to really transfer those ideas into a reality. You also need to optimize your workflow, simplifying the process of making music so you don’t even have to think anymore — you can just create. Picking the best DAW can be dependent on a few factors. Let’s review the top 10 best digital audio workstations out today and help you pick which DAW is best for you.

 

What is a digital audio workstation (DAW)?

A digital audio workstation is basically a blank piece of paper and the necessary paint brushes for an artist to create their works of art on. All you need to bring is some sounds, your talent, and most of all, your creativity. A DAW is a computer program designed for editing, recording, mixing and mastering audio files. You can record your various instruments and controllers, lay down the tracks, rearrange, splice, cut, paste, add effects, and ultimately finalize the song you’ve got cooking for the world to hear.

Professional, semi-pro and home studios mainly use DAWs as their backbone for making music if their main focus is to have a digital setup. Aside from those who use real instruments, we do know of some well-known musicians who still use analog setups, such as drum machines and synthesizers with real mixing boards and the like, but a majority of people nowadays are strictly computer-based or at least have a hybrid studio to incorporate both (why not?). This trend only continues to grow as technology advances. Aside from a computer for music of course, a DAW is the most important piece of production gear you’ll need to get the ball rolling for those masterpieces waiting to be created.

How to choose your production software

To us, choosing your DAW is like picking which soda to drink. Either way you go, it won’t necessarily be wrong. As you can see in the comments, this decision brings much debate (rightfully so, and we’re glad it does since it allows us to continue to evolve and learn about music production as a whole). However, taking into consideration your personal needs is crucial. Here are some important aspects to keep in mind during your search that we recommend.

  • Your budget – We always list this first in our music equipment guides because it’s a pretty big given, but it’s always something to think about. Think of this as an investment. Typically a 4-5 year and beyond one (like buying a car), so you’re going to want to get it right. We’ve been using our DAW now for almost 10 years! Why fix what isn’t broken? With that being said, there is always free music software out there you can check, but we do recommend that if it takes saving up a few more hundred dollars, it’s worth it to wait. You want to think long-term, but before you do drop that money most of these companies offer free trials (which we’ll provide).
  • What is your experience level? If you’re starting out, you don’t want to get too crazy in terms of a DAW, such as going with Pro Tools right away (they have entire school programs created for this software after all). You want to start with something that you can easily understand and use in order to get your music-making skills going. Getting an expert-level software from the start can not only take months to learn but also be daunting, ultimately discouraging producers from continuing to sharpen their craft. Don’t get us wrong, if you’re the type to want to go big right away, be our guest. However, as stated in our beginners recording equipment guide, we do recommend starters begin with something a bit smaller. On the other hand, if you’re a bit more experienced and you’re looking to take a step up, going the extra yard and getting an expert-level software such as Pro Tools may be hard at first, but an ultimate investment when thinking of the future. Which brings our next point.
  • Think about the future, too – If you are a beginner, take the previous bullet-point into consideration, but keep the future in mind as well. Starting with a beginner software is great for starters, but it may get boring after your first year or two and you need to keep in mind that you’ll eventually be good enough to use more functions of the software. For children, starting at a beginner-level is most recommended, but if the DAW you chose at first has a low ceiling, you’ll eventually have to make a switch and learn an entirely new software (it’s what I did with Acid Pro…I had to eventually move on to Ableton which took me some time to learn — although I did understand the universal basics of music software, so it wasn’t too bad). We’d go with something in the middle – a software that will take some time to learn, but will ultimately offer some valuable advanced features down the road when you’re ready. Although in the end, even the “beginner” programs could last you quite a long time (well-known musicians still use software considered to be ‘entry-level’ such as Fruity Loops).
  • Do you perform live? A few of the software we list are more optimal for performing live, such as giving us some easy integration with MIDI controllers, VST instruments, control surfaces and other live performance-specific gear and features. There are some more live-tailored features in some DAWs, such as saving presets, matching the interface with what you’ve got in front of you, etc. Some are just more geared to live performances, while others being for when you’re deep inside of the studio well-past midnight. Ultimately however, any software is fine for performing live.
  • Stick with what you’ve chosen – The more familiar you become with software you’ve picked, the quicker and easier you workflow is, the more confident you become, and ultimately, the better your music sounds. Think you’ve learned a DAW to its fullest? Learn it again. The more you know about your software the easier it is to get those thousands of ideas circulating in your brain during your production onto the piece of paper. It’s an investment, but once it’s as smooth as butter, pumping out that music becomes even more beautiful as times goes on (it almost becomes second nature, such as driving a car). Don’t fix what isn’t broken.
  • Relax! It’s 2017 — the digital age is here, and most of the production software out there is up-to-date and very popular. Either way you go with the 10 we’ve listed, you’re getting lifetime support, huge communities with message boards, and YouTube tutorials on any of the software you choose. You can’t really go wrong with one or the other, even if you’re a beginner. So don’t panic.